How to Play Boston More Than a Feeling On Guitar
Today, Guitar Control instructor, Robert Baker, is going to show you how to play Boston More Than a Feeling on guitar. Robert is going to break down all the main riffs in this song. If you want to learn the solo he has made another video, how to play More Than a Feeling solo, so be sure to check that out! Robert mentions that today he will cover the main riffs but you can go even more in depth if you want, as there are lots of overdubs in this track.
Step 1: The Intro
The first step to learning how to play Boston More Than a Feeling on guitar is starting out with the iconic intro. Starting with two major open chords. Dsus4 and Dmajor. If you don’t know how to play a Dsus4 chord, it is a D major chord slightly altered. The sus stands for suspended. We take out the 3rd of a chord and replace it with the 4th. In this case when we say 3rd and 4th we are referring to the degrees in the scale. If you don’t know how to play a D major I will explain that really quick and then explain which fingers are altered to play the Dsus4. To play a D major chord I make a peace sign with my pointer and middle finger on on my fretting hand. I place my middle finger on the 2nd fret 1st string and my pointer on the 2nd fret 3rd string, my middle finger falls on the string in between, holding down the 3rd fret 2nd string and you strum from the 4th string down, since it is an open “D” note. To play the Dsus4 chord all you do is remove your middle finger and change the note played on that string, the 1st string, to now be the 3rd fret 1st string played with your pinky finger, making your pinky and ring finger both in the same fret.
To play that intro he starts with the Dsus4 chord and then arpeggiated it. This means you hold a chord shape but pick individual strings in a pattern instead of strumming. In this case he picks 4th string to 3rd to 2nd to 1st, so straight down. Now pick up your pinky and place your middle finger down to move from the 4th degree to the 3rd, holding down the 2nd fret 1st string now with your middle finger, where it normally is for an open D major chord. Now pick the 1st string to the 2nd to the 3rd. For this next transition he almost goes to a Cadd9, very similar to it. So since you’re moving from the D major you are actually going to keep your 3rd finger down where it is. Having notes in common always makes chord changes easier and transitions smoother. Pick up all your other fingers and place only your middle finger down on the 5th string 3rd fret, holding down the C note on the 5th string. Your ring finger will actually stay down the whole time for this intro part since it is holding down the “D” note which is in all of these chords. For this almost Cadd9 he picks the 5th string and then the 3rd then to the 2nd. Then remove your 2nd finger on the 5th string and replace it with your pointer finger on the same string 2nd fret and do the same picking, 5th string to 3rd to 2nd. Then place your third finger down on the 6th string 3rd fret holding down the G note and pick the 6th string to the 2nd. Then, repeat!
It repeats quite a few times and fades in. After this part, there is a transition from this part to the next. The transition starts out exactly the same as the intro with the Dsus4 to the D major and picked exactly as it was before. Now here’s the change. When we get to the shape that looks like a Cadd9, when your middle finger is on the 5th string 3rd fret and your ring is on the 2nd string 3rd fret you pick 5th string, 1st, 2nd, 3rd, repeating the top part, 1st, 2nd, 3rd, with one extra pick on the 3rd fret high e, the 1st string. Then replace your middle finger that’s on the 3rd fret 5th string with your pointer on the 2nd fret 5th string, of course keeping your 3rd finger on the 2nd string and pick the 5th string, 3rd string and 2nd and back to the 3rd. Then keep your pinky down on the 3rd fret 1st string just like you do for the Dsus4, and pick the 1st string, 2nd and 3rd. Then he goes to the solo, see Roberts video, how to play More Than a Feeling solo.
Step 2: Twin Guitar Part; Harmony One
Now Robert shows us the twin guitar part, but focuses only on one of the harmonies. This harmony starts with a half step bend on the 12th fret 2nd string. You can also slide to the 13th fret if you prefer that to the bend, but the bend sounds more spot on with what Boston does. Then come back down from your bend and just pick the 12th fret 2nd string to the 10th fret 2nd string. Then pick the 13th fret, 12th fret and 10th all once and all on the 2nd string. Then he plays the 13th, 12th and 10th frets again on the 2nd string but this time when he gets to the 10th fret he does a hammer on pull off from the 10th fret to the 12th back to the 10th ending with the 12th fret 3rd string picking it twice with lots of vibrato and then sliding it off the neck, down the string towards the headstock. In the recording there is a second harmony, but Robert is just focusing on this one for todays lesson.
Step 3: The Chorus
Now for the famous chorus! When you listen to it, there’s a lot of scratching going on, this is something Boston is known for. They use this technique in quite a few of their songs, it creates a tighter choppier rhythm and in this case make it sound really upbeat. He starts this chorus with a G5 power chord, placing his pointer on the 6th string 3rd fret and pinky finger on the 5th string 5th fret. Be sure to only pick the strings your fingers are one. So the G5 is picked twice, only the 6th and 5th string. Then there is a slight pause and he just moves directly down to a C5 which is just below the G5, so move your pointer and pinky each down a string. Now your pointer should be on the 5th string 3rd fret and pinky on the 4th string 5th fret, so same shape, just down a string. Strum the C5 twice, only strumming the 5th and 4th strings. Then he moves to an E5 power chord with his pointer on the 5th string 7th fret and pinky on the 4th string 9th fret. He strums this, down scratch scratch, one down scratch and one up scratch, to a down down. So down, scratch, scratch, down down to two strums on the D5 power chord, which is just 5th string 5th fret with your pointer and 4th string 6th fret with your pinky. Then play all of this twice. In between the E5 and D5 he scratches both up and down quickly. On the fourth time through this riff, it starts out the same, first a G5, strum down down to a C5 strum down down. Now it changes and goes to a D#, the 5th string 8th fret with your pointer and ring finger or pinky on the 4th string 10th fret. This is such a cool transition and shows how smart they are and how thought out this song is, with every transition. The next part gets a little more complicated as the chords are harder. Starting with an E minor 7, which is played, open 6th string, pointer on the 2nd fret 5th string, middle finger on the 2nd fret 4th string, open 3rd string, ring finger on the 3rd fret 2nd string and open 1st string. Then he changes to an Asus4, keeping his ring finger where it already is from the e minor 7, and move both your pointer and middle finger down a string. So the Asus4 is played from the 5th string down since the open 5th string is an “A” note, so open 5th string, pointer on the 4th string 2nd fret, middle finger on the 3rd string 2nd fret, ring finger still on the 2nd string 3rd fret and open 1st string. Both of those chord only get one down strum. Then he goes to an A major chord, where you just slide your third finger under your pointer and middle in the 2nd fret on the 2nd string, strumming up and then down on the A major from the 5th string down. So A major is an open 5th string, pointer on the 4th string 2nd fret, middle on the 3rd string 2nd fret, and ring finger on the 2nd string 2nd fret, and an open 1st string. Then to a G major chord, played with your middle finger on the 6th string 3rd fret, pointer on the 5th string 2nd fret, open 4th and 3rd strings, ring finger on the 3rd fret 2nd string, and pinky on the 3rd fret 1st string. Then a little ending walk down phrase, pick 3rd fret 6th string, pick up on the higher strings of the G major chord, so holding the G major just an upstroke on the 1st, 2nd and 3rd strings, then pick the 2nd fret 6th string, back to an upstroke on the higher notes of the G, so even though the top of the chord is changing during this part, you are still holding down the top half of the G chord, your ring finger on the 3rd fret 2nd string and pinky on the 3rd fret 1st string. Then pick a low open E, the 6th string. Then an open 4th and 3rd string strummed together, straight to a D major chord, which is an open 4th string, pointer on the 2nd fret 3rd string, ring finger on the 3rd fret 2nd string, and middle finger on the 2nd fret 1st string. Then into a walk down again similar to the intro, demonstrated at the 8 minute mark, then right back into the arpeggiated intro.
Step 4: The Riff Before The Solo
The last riff that Robert covers in this lesson is the riff right before the solo and after the second chorus. So when they come out of the second chorus there is a little break that changes. So after going through the chorus on the last time we still have that normal change that happens on the 4th time through that where after the G5 power chord to the C5 they go to a D#5. To an open E minor7 to Asus4 and back to A major. Here is where it changes. Instead of going to the open G, they go to a B minor chord rooted on the 5th string 2nd fret, you’re going to bar with your pointer from the 5th string 2nd fret all the way down to the 1st string, place your ring finger on the 4th string 4th fret, pinky right under your ring finger on the 3rd string 4th fret, and middle finger on the 2nd string 3rd fret. He palm mutes the chord and plays 4 eighth notes, so one and two and – then change to an A major, the same one we went over earlier, also palm muting and picking 4 eighth notes on beats three and four and – then change to a G major, same one we did earlier, the open G palm muted and playing 4 eighth notes, one and two and – to an F# note by itself. So just picking the F#, the 2nd fret 6th string. Ending with a single strum on the Asus4 chord and a single strum on the A major chord. Taking us into the solo.
Recap: How To Play Boston More Than A Feeling On Guitar
I hope you enjoyed learning how to play Boston More Than A Feeling on guitar. Be sure and check out Robert’s separate solo video How to Play More than A Feeling solo to get an in depth breakdown of the solo. Remember to pay attention to details in these riffs as there are lots of slight variations and changes, and of course as always, have fun!